Tag: non-fiction

#1970Club: 84, Charing Cross Road by Helene Hanff

17th October 2024 / / 9 Comments

Twice a year, Kaggsy and Simon host themed ‘club’ weeks dedicated to books from a particular year. Joining in has long been on my to-do list, and this week finally I’ve managed it, with the 1970 Club. 

84, Charing Cross Road was the address of a London second-hand bookshop, Marks and Company. The book of the same name is a collection of correspondence between the shop and Helene Hanff, a writer who lived in New York. The letters begin prosaically enough in 1949, with a note from Hanff accompanying an order, and a formal reply from the manager, Frank Doel. But, over the years, this blossoms into far more. 

Hanff’s voice in her letters is often spiky and forthright, and I can imagine the British bookshop staff finding it disconcerting. For example, here Hanff writes in 1950, wondering where her books are:

you leave me sitting here writing long margin notes in library books that don’t belong to me, some day they’ll find out i did it and take my library card away. 

I have made arrangements with the Easter bunny to bring you an Egg, he will get over there and find you have died of Inertia. 

As that second sentence suggests, though, Hanff was also often generous, sending the shop parcels of food and other supplies at a time when rationing was still on in Britain. Hanff’s evident warmth gains a response in kind: Frank’s letters become less formal, and Helene also hears from other shop staff, and even Frank’s family. 

Hanff’s correspondence with Marks and Co. lasts for twenty years, until Frank Doel’s sudden death. Reading the book now feels to me like a glimpse into an older way of selling and relating to books that, for better or worse, has now gone. There was one line of Hanff’s from 1950, though, which struck me as an unexpected echo of the future:

Why should I run all the way down to 17th St. to buy dirty, badly made books when I can buy clean, beautiful ones from you without leaving the typewriter?

I don’t know if Helene Hanff could have imagined how we’d be buying books fifty or more years in the future, but there’s a familiar impulse behind that comment all the same.

Melville House ‘Futures’ blog tour: The Future of Songwriting by Kristin Hersh

23rd February 2024 / / 0 Comments

Today I’m taking part in a blog tour for the new ‘Futures’ series from Melville House – short books in which authors reflect and speculate on the possible future of their subject. The first four titles were published in the UK yesterday, and include volumes on the future of trust, war crimes justice, and Wales. But I’m looking at The Future of Songwriting, by Throwing Muses co-founder Kristin Hersh. 

Hersh’s book is written as a series of conversations between herself and a comedian friend (standing in for a number of actual conversations she’s had along similar lines), while both are playing a festival over Christmas in Sydney. The two of them are not out for fame, but they do want to work, and to keep working. Hersh is constantly thinking over how to balance art and commerce:

Art plus entertainment, substance plus style, and maybe they could get along, of all things. But don’t goddam sell, you know? No selling, no stars, no status, just pass the hat so you can work again.

Hersh and the comedian talk around this and related issues, with various symbols recurring. They see echoes of themselves in the Jack of Diamonds, the messenger travelling between the material and spiritual worlds. An apple growing on a tree represents music in its primal form, and (Hersh suggests) people’s relationships with both have grown distanced and denatured. 

My overall impression of Hersh’s book is not of an argument that progresses and reaches a firm conclusion, but more of a dance that explores the space opened by the subject. That feels appropriate, when Hersh highlights the importance of reaching back as much as pushing forward. 

Writing from Ukraine: Fiction, Poetry and Essays since 1965 (ed. Mark Andryczyk)

8th September 2022 / / 1 Comment

Penguin have recently issued a paperback edition of this anthology, which was originally published in 2017 under the title The White Chalk of Days. It’s a selection of Ukrainian texts in translation that were presented as part of a literature series in North America between 2008 and 2016.

There’s a lot I could talk about in this book: fifteen writers represented, and a variety of pieces. I’m going to pick out a few of my favourites to highlight.

‘Books We’ve Never Read’ by Marjana Savka (tr. Askold Melnyczuk). I love the imagery of this short poem. It gives me a strong sense of the world opening up to the speaker: “The roads turn like pages. Eyes reddened by wind. / Nothing now but the bookmark of the horizon.”

‘Genes’ by Andriy Bondar (tr. Vitaly Chernetsky). There’s a sarcastic tone to this poem (“should I explain to you what a laptop is?”) that I appreciated. It starts with Bondar commenting that his family has good genes (or so he’s been told, at least) before reflecting on how modern lifestyles may affect health. At the same time, he talks about people who think that what he writes isn’t really poetry. His conclusion that he writes the way he does because he has to, that the ideal can’t fit everyone.

FM Galicia by Taras Prokhasko (tr. Mark Andryczyk). A selection of vignettes that were originally read out live on the radio. There are some striking thoughts and turns of phrase here. For example, in one piece, Prokhasko reflects on the place of firewood in mountain life: “when you only come to the mountains occasionally, firewood is not treated as daily bread but as some kind of delicacy, as gourmet food, like a cordial.”

‘The Flowerbed in the Kilim’ by Yuri Vynnychuk (tr. Mark Andryczyk). The narrator of this story imagines what it might be like in the small house woven into a rug hanging on the wall. One day, impossibly, he is able to enter the scene, and finds himself taken back to his childhood, visiting his Grandma. This situation can’t last, and the effect is poignant.

Apricots of the Donbas by Lyuba Yakimchuk (tr. Svetlana Lavochkina with Michael N. Naydan). A cycle of poems about the centrality of coal to the poet’s native region. There’s some vivid imagery, as in ‘The Face of Coal’, whose speaker imagines their father affected by a life of mining: “His cheeks are like trenches / Chopped up by the pit”.

I didn’t know much about Ukrainian literature, so I’m glad to have read this. If you’re interested, I think there is a good chance you’ll find something to enjoy within these pages.

Mid-Year Book Freakout tag

25th June 2022 / / 3 Comments

We are coming up to halfway through the year, which is a pretty good time to take stock. For various reasons I haven’t read as much as I usually would (partly through getting stricter at abandoning books, partly through taking more time), but let’s have a look anyway. I found this set of questions on Nina Allan’s blog; here are my answers:

Best book you’ve read so far in 2022. I would have to say Cursed Bunny by Bora Chung (tr. Anton Hur), a story collection which had me from the first page to the last. Chung goes straight on to my list of must-read authors.

Best sequel you’ve read so far in 2022. Well, Marseillaise My Way by Darina Al Joundi (tr. Helen Vassallo) is the only actual sequel I’ve read this year. It’s very good, but also kind of a default answer to this question. Perhaps I could add J.O. Morgan’s second novel, Appliance. This is not a sequel to Pupa, but it is definitely a companion piece aesthetically. I will be reviewing Appliance for Strange Horizons, but I can tell you now that it’s excellent.

Most anticipated release for the second half of the year. The first book that comes to mind is Life Ceremony, the forthcoming story collection by another of my must-read authors, Sayaka Murata (tr. Ginny Tapley Takemori). I also can’t leave out Malarkoi, Alex Pheby’s sequel to the wonderful Mordew – sure to be a treat.

Biggest disappointment. I’m chary of calling books disappointments these days, because I know from personal experience that it can be that you’ve just caught a book at the wrong time. So I will say that I’d been looking forward to reading Damon Galgut for the first time, and I was disappointed that I didn’t click with In a Strange Room. Maybe another book, another time. 

Biggest surprise. I’m going to say Homelands by Chitra Ramaswamy – not because I didn’t expect to like it (I did), but because it was not on my radar at all until I found it in the publisher’s catalogue.

Favourite new author – debut or new to you. Bora Chung, Russell Hoban, Geetanjali Shree, J.O. Morgan, Nathacha Appanah.

Book that made you cry. I don’t know that any book has made me cry so far this year. Gerald Murnane’s Invisible Yet Enduring Lilacs changed how it felt to look out at the world from inside my head. 

The most beautiful book you’ve bought so far. Henningham Family Press always publish beautiful books. The Lost Spell by Yismake Worku (tr. Bethlehem Attfield) is no exception. 

What books do you need to read by the end of the year? Well, the beauty of it is that I don’t need to read anything by the end of the year. What I might like to read is another matter…

Looking ahead, July will be Spanish and Portuguese Lit Month, for which I plan to catch up on some unread Mexican books that I have. August is Women in Translation Month, and perhaps it’s time for me to read the rest of Agota Kristof’s trilogy, after The Notebook (tr. Alan Sheridan). Later on will be the 1929 Club, which would give me a pretext to read Henry Green’s Living and Vicki Baum’s Grand Hotel (tr. Basil Creighton). There’s also the Goldsmiths Prize shortlist to come… That’s plenty to be going on with, I think. 

Homelands by Chitra Ramaswamy: a Shiny New Books review

17th May 2022 / / 0 Comments

I don’t read an awful lot of non-fiction, but I was particularly intrigued by the premise of this book… Homelands (published by Canongate) is journalist Chitra Ramaswamy’s account of her friendship with Henry Wuga, a Holocaust survivor. It’s part biography and part memoir, as Ramaswamy finds echoes and points of connection between her life and Henry’s.

I’ve reviewed Homelands for Shiny New Books. It felt a bit strange at times to be passing comment on a living person’s account of their recent life, but hopefully I achieved a good balance in the review. Anyway, Homelands is an absorbing book, and if you like the sound of it I suggest you give it a try.

Click here to read my review in full.

Michel the Giant: An African in Greenland

6th March 2022 / / 1 Comment

Originally published in French in 1977, this is a travelogue by Togolese writer Tété-Michel Kpomassie (translated by James Kirkup). As a teenager in the 1950s, he is (reluctantly) about to be initiated into a snake cult when he reads a book about Greenland. This place is beyond anything he has experienced or can imagine, but there will be no snakes – and, he reads, “the child is king, free from all traditional and family restraint”. This is enough to make the young Kpomassie resolve to travel to Greenland, even though it means running away from home.

Kpomassie’s journey to Greenland is an epic tale in itself. It takes six years for him to earn enough money to leave Africa, followed by a spell working in Paris before he finally reaches his destination. He stands out, not just for his skin colour but also his height (hence he’s nicknamed Michel the Giant). This will be a two-way meeting of cultures: “I had started on a voyage of discovery, only to find that it was I who was being discovered.”

Kpomassie’s book is a fascinating account of his travels. There are telling details, such as the cinema that stops foreign films every ten minutes to explain the action to the Inuit audience, because only Danish subtitles are available. These episodes are mixed with Kpomassie’s broader reflections on the people he encounters. His openness and willingness to meet Greenland on its own terms are what make Michel the Giant so engaging for me.

Published by Penguin Modern Classics.

And Other Stories: Invisible Yet Enduring Lilacs by Gerald Murnane

15th February 2022 / / 2 Comments

My introduction to Gerald Murnane was his debut novel Tamarisk Row, which I loved for the way it depicted childhood imagination and the sense of strangeness hidden within the everyday. Murnane’s 2005 essay collection Invisible Yet Enduring Lilacs came as part of my And Other Stories subscription, and it has proven an ideal follow-up to Tamarisk Row. I’ve valued it for the chance to spend time in the author’s world. 

The essays in this collection gave me some insight into how Murnane perceives the world. For example, the young protagonist of Tamarisk Row would imagine whole worlds in the abstract patterns of light through glass. It came as no surprise to discover that, when Murnane played horse-racing games with marbles, he would focus on the patterns created out of each small movement. He also mentions a liking of charts and diagrams: some of his essays feel like diagrams put into words, as they circle back over images and memories. 

Murnane’s writing often seems to return to landscapes, but landscapes of the mind, imagined grasslands or plains. As he puts it in ‘Birds of the Puszta‘:

Plains looked simple but were not so. The grass leaning in the wind was all that could be seen of plains, but under the grass were insects and spiders and frogs and snakes – and ground-dwelling birds. I thought of plains whenever I wanted to think of something unremarkable at first sight but concealing much of meaning. And yet plains deserved, perhaps, not to be inspected closely. A pipit, crouched over its eggs in the shadow of a tussock, was the colour of dull grass. I was a boy who delighted in finding what was meant to remain hidden, but I was also a boy who liked to think of lost kingdoms.

Murnane’s work keeps evoking for me a sense of “lost kingdoms”, imaginative spaces hidden just out of sight. When I finished Invisible Yet Enduring Lilacs, I had been changed by it: when I looked around at the world, something felt different. 

Daunt Books: Inheritance by Dani Shapiro

8th February 2022 / / 0 Comments

This year Ninja Book Box are offering a subscription of indie-published memoirs. I don’t read that many memoirs, so I thought this would be a good chance to try something different. I didn’t know which books I was going to get, but I very much enjoyed this first one. It’s published by Daunt Books. 

American writer Dani Shapiro was born into a large Orthodox Jewish family, and this culture is in her bones, though people have often commented that she doesn’t look Jewish. Shapiro is in her fifties when her husband Michael suggests she join him in taking a DNA test through a genealogy website. She thinks nothing of it, but the results reveal that she cannot be biologically related to her father. 

Shapiro’s parents are no longer alive, but she recalls an offhand comment from her mother that she, Dani, was “conceived in Philadelphia”. Her mother said she had been travelling there for tests relating to artificial insemination. Further research reveals that, at the time, sperm from the prospective father would be mixed with those from other donors, often medical students. With some investigation, Shapiro is able to identify ‘her’ donor – and decides to make contact. 

Inheritance is then the story of how Shapiro is forced to reconfigure her long-held notions of family and identity. She tries to find out just what her family knew about the circumstances of her conception, and wonders if she can make a connection with her new-found biological relations. 

I appreciate that Shapiro doesn’t try to resolve any of these issues definitively – they’re too complex for that. Rather, this book is account of the author coming to terms with the issues for herself. I found Inheritance compelling as the story unfolded to begin with, and it kept my interest to the very end. 

More reviews from #ReadIndies 2022

Holiday reading, and a blog anniversary

7th January 2021 / / 0 Comments

Happy New Year! Wishing you a better year than 2020, anyway…

It was eleven years ago today [EDIT: I’m wrong, it’s twelve years!] that I published the first post on this blog. How time flies, and how things change. The blog has a greater focus on books now; my tastes have evolved, as has my approach to blogging – not to mention the world of book blogging itself.

But this is still my place for writing about reading and books. I’m thinking about what direction to go in with the blog this year, but for now I have a few books to tell you about that I read over Christmas and New Year…

***

Emily Jeremiah, Blue Moments (2020)

I know of Emily Jeremiah as co-translator of several Finnish titles for Peirene Press (including Children of the Cave, White Hunger and Mr Darwin’s Gardener). Blue Moments is a novella by Jeremiah, recently published by Valley Press. 

We’re introduced to Eeva as a young girl. Her parents have divorced, and she moved with her father to his home country of Finland – her mother remains in England, recovering from depression. Eeva finds it hard to adjust, feeling caught between the two cultures. Years later, Eeva goes to study in England, and resolves to understand more about her parents’ lives. 

Blue Moments is a fine example of how much a novella can encompass in a relatively small space. We see Eeva coming to terms with her past, and find a place for herself in the present. 

Samantha Clark, The Clearing (2020)

Samantha Clark is a Scottish artist; this memoir revolves around the process of clearing out her parents’ old home in Glasgow after they have passed away. The act of doing this leads Clark to reconsider her relationship with both of her parents: her mother, who developed severe mental health problems; and her father, whose role caring for his wife distanced him from his daughter. 

The ‘clearing’ of the title doesn’t just refer to clearing the house. It’s also about the space within oneself, or between oneself and the world. Clark contemplates the gap between her parents’ silent, static house and her own memories and experiences. She considers what this means for her, and illuminates her thoughts with various artistic and scientific ideas. The Clearing is a fascinating book that leaves its readers with much to reflect on themselves.

Published by Little, Brown.

Paolo Maurensig, Game of the Gods (2019)
Translated from the Italian by Anne Milano Appel (2021)

Paolo Maurensig has written several previous novels set in the world of chess. His latest book to appear in English returns to that world, with a fictional account of the life of Malik Mir Sultan Khan. In the early 20th century, Sultan Khan is a Punjab village boy who becomes a servant to the powerful landowner Sir Umar Khan. He excels at chaturanga, the ancient forerunner of chess. Umar Khan has the boy master the Western rules of chess, and takes him to Britain, where Sultan Khan becomes renowned for his prowess. But life has more than one further twist in store for him. 

In Maurensig’s telling, Sultan Khan becomes something of a pawn in a wider game: for Umar Khan, he’s a way to get back at the British; and when war comes, his strategic skills are useful to others. There is a sense that giving an interview about his life (which is how the novel is framed) allows Sultan Khan to exercise some control over how his legacy will be viewed. It’s not completely so, of course: this story is being told by a European author, after all. But there is a reminder at the end that conflict continues, outside of one person’s control. 

Published on 14 January by World Editions.

Three books: Pheby, Coleman, Shanbhag

14th October 2020 / / 0 Comments

It’s time for another trio of reviews that were first posted on my Instagram.

Alex Pheby, Lucia (2018)

I have quite a few unread Galley Beggar Press books, and I was in the mood to start changing that. So I picked up Lucia by Alex Pheby, which won the Republic of Consciousness Prize a couple of years ago. ⁣

This novel concerns Lucia Joyce, James Joyce’s daughter. I didn’t know much about her, beyond what it says in the cover blurb: she was a talented dancer, spent her last 30 years in an asylum, and most contemporary references to her have been lost to history. ⁣

Pheby confronts head-on the problems of what it means to write a real life into fiction. The structure is fragmented, with fragments written from a variety of viewpoints – this is a novel told around and to Lucia, not by her. Interspersed between chapters are sequences describing an Egyptian archaeological dig, and the process of mummification – the implication being that the act of writing about Lucia is a similar disturbance. ⁣

Much of what happens in the novel is traumatic for Lucia, and this is uncomfortable to read, as it should be. Overall, I found this book a powerful reading experience, and I appreciated that Pheby made the problem of what he was doing part of the novel itself. ⁣

Flynn Coleman, A Human Algorithm (2019)

This book is a look at some of the issues around artificial intelligence. Flynn Coleman is a human rights attorney, and her book is very much focused on the ethical implications of AI and what it might mean for us as humans. ⁣⁣

⁣⁣This is not a subject I know much about, and I appreciate that Coleman is posing questions at least as much as trying to come up with answers – the book seems meant as a starting point for a conversation rather than a definitive conclusion. ⁣⁣⁣

It seems to me that Coleman is pretty even-handed in considering both the potential benefits and drawbacks of AI. She’s clear, though, that it’s urgent for us to be thinking about issues such as how we might instil morals into machines (and whose morals they should be), because the technology will continue to develop in any case. ⁣⁣⁣

I like the range of Coleman’s book, and it left me with a lot to think about, which is what I wanted most of all from it. If the subject piques your interest, A Human Algorithm is well worth your time.

Published by Melville House UK.

Vivek Shanbhag, Ghachar Ghochar (2013)
Translated from the Kannada by Srinath Perar (2017)

The narrator of this short novel is a director of his family’s spice business in Bangalore, though it’s so successful that he doesn’t need to do any work. His uncle built the firm up, transforming the family’s fortunes in the process – though money has not solved all their problems. ⁣

The narrator structures his story around the hierarchy of his household, with his uncle at the top and himself somewhere towards the bottom. This has the effect of making the novel feel like a series of anecdotes, and there are some engaging episodes, such as the family’s attempts to deal with an ant infestation in their old shack. But this book is more than a yarn: the narrator is not telling us everything. ⁣

His wife, Anita, is often at odds with the rest of the family – she wasn’t too happy to discover that her husband earned no money for himself, for example. The particular incident on which the book pivots is when a woman arrives at the house asking to speak to the uncle, and is summarily sent away by the narrator’s mother. Anita is the only family member who feels the woman was treated badly, and tells her husband that he should have intervened. The ramifications of this play out across the novel. ⁣

Within the book, “ghachar ghochar” is a phrase invented by Anita to mean “hopelessly tangled up”. That’s what the narrator comes to feel his life is like, and with good reason. Vivek Shanbhag examines the implications of his characters looking away from what they don’t want to see. ⁣

Published by Faber & Faber.

⁣⁣⁣

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