Category: Events

FantasyCon 2010

Last weekend, I travelled up to Nottingham for my ninth FantasyCon, with its mix of panels, readings, book launches, and more. My weekend began with the ever-entertaining FantasyCon quiz, which I had to attend, because a) it’s always a laugh, and b) I was on the winning table last year, and so had a ‘title’ to defend. And this year… we won – by a single point.

The Guests of Honour this year were Garry Kilworth, Lisa Tuttle and Bryan Talbot; my overriding conclusion from the weekend is that I really need to read the work of these people more often (or, in the case of Tuttle and Talbot, read their work for the first time). Kilworth’s interview was very interesting, and began with an excellent performance of one of his short stories (assisted by Tuttle and interviewer Guy Adams). Talbot gave a fascinating talk on the tradition of depicting anthropomorphic animals in artwork (much less dry than it sounds) and the references to it in his latest graphic novel, Grandeville. I didn’t attend Tuttle’s interview, but I heard good things about her work, and she was engaging when I saw her on a panel.

The programme of events wasn’t, to be honest, one of the best I’ve experienced at FantasyCon. It seemed less full than it has in recent years (only one stream of panel programming), and I’d have welcomed more variety in the panel topics. Still, the panels I attended were interesting; quote of the weekend came from Chaz Brenchley during the discussion on fantasy and escapism: “Fantasy is not an excuse, it’s a demand.” Very true, I’d say. I managed to catch only one reading this year, but I was highly intrigued by the chapter Mark Morris read from the novel he’s writing with Tim Lebbon, and I look forward to investigating the finished book.

As always, the con included the presentation of the British Fantasy Awards, presided over this year by Master of Ceremonies James Barclay. One particularly poignant note came with the announcement that this year’s Special Award was honouring the great and much-missed Rob Holdstock – a well-deserved accolade. I was particularly pleased to see a couple of books that I very much liked last year picking up awards: Conrad WilliamsOne (Best Novel) and Michael Marshall Smith’s ‘What Happens When You Wake Up in the Night’ (Best Short Story). And, as Rob Shearman accepted the Best Collection award for Love Songs for the Shy and Cynical, I was reminded that I really should read that book. Congratulations to them and all other winners!

One of the things I enjoy about going to cons is not just catching up with old friends, but also meeting in the flesh people that I’ve only known online. So it was a great pleasure this year to chat to writers Tom Fletcher and Simon Unsworth, and fellow book blogger Amanda Rutter.

After five years in Nottingham, FantasyCon is moving to Brighton next year – which should be interesting, as I’ve never been there before. Gwyneth Jones has already been announced as the first Guest of Honour, and I’ve booked my place; perhaps I’ll see you there.

A list of links to other people’s convention reports can be found on the FantasyCon website.

Firestation Book Swap on Tour @ London Review Bookshop, 5th August 2010

Yesterday, I caught the train down to London, to go to an event that I’ve wanted to attend for ages: the Firestation Book Swap. Hosted by publisher Scott Pack and author Marie Phillips, with a couple of guest authors, this is held every month at the Firestation Arts Centre in Windsor; but they’ve also had a few tour dates, and last night the Book Swap came to the London Review Bookshop.

The format of the event is a literary evening with a twist: no readings, but plenty of questions – some posed by the hosts, others written by the audience and drawn at random from a basket; the only catch is, the questions can’t have anything to do with books. There’s also cake, and plenty of it; you can actually get in for free if you bring a homemade cake. And, of course, there’s the swapping – everyone brings a book to swap, with opportunities to pitch yours (or have it pitched by the hosts) throughout the evening). So, with my copy of Tim Davys’ Amberville in hand, I went along.

My evening got off to an unplanned start when I managed to trip up in the road outside and cut my knee; my thanks to the shop’s first-aider who supplied the rather dramatic-looking bandage which I spent the rest of the night holding against the wound (to think I nearly took this book to swap, which would have been mildly amusing).

Anyway, the guest authors for this session were Patrick Neate (whom I’ve been meaning to read since I saw him at Cheltenham last year, and still haven’t) and James Miller (of whom I hadn’t heard before, but whose near-future thrillers sound interesting). Both were highly entertaining (as were the hosts), and the discussion ranged widely, from the question of whether reading was a dying art (Neate was fairly optimistic about this, Miller less so; certainly I found it dispiriting to hear about undergraduate literature students who haven’t read anything) and whether it’s more accepted in publishing for authors identified as literary to draw on elements of genre than it is for genre writers to break away from the ‘genre’ tag (unfortunately, I suspect this is the case, though it shouldn’t be), to the subject of the guests’ favourite cake.

Ah yes, the cake. This gets passed around the audience, and includes the traditional Firestation Book Swap cupcakes (decorated with the letters of ‘Firestation Book Swap’), of which I got the last one. It was delicious, as was all the other cake I tried.

And the swapping? I ended up swapping with Scott afterwards, and now have a copy of Geisha by Liza Dalby; a very different book from the one I took with me, and probably not one I’d have chosen to read otherwise – but, to me, that’s the whole point of going to an event like this. All in all, I had a great time, and would heartily recommend the Book Swap to anyone. If you can get to one, do.

Eastercon: Odyssey 2010

I’m back from my first full Eastercon, and what an experience it was. For those who don’t know, Eastercon (to borrow an idea from Gareth L. Powell) is something like a Glastonbury Festival for science fiction, only in a hotel. Probably, no two attendees experience quite the same thing, as an Eastercon can seem less like one event than an amalgamation of four or five different ones. But there are programmed items of various kinds (such as panel discussions, talks, and workshops), mixed in with plenty of socialising.

It was great to catch up with old friends (Nick, Gary, Tony, and everyone else) and meet new ones. There was quite a lot of meeting new people, including those I already knew from online, some I knew of but hadn’t interacted with personally, and others I hadn’t known in any capacity — but I am glad to have met them all. In alphabetical order: Liz Batty, Claire Brialey, Nic Clarke, Niall Harrison, John Jarrold, Gareth D. Jones, Caroline Mullan, Abigail Nussbaum, Alison Page, Paul Graham Raven. And I know there were other people there I know online whom I didn’t get a chance to meet — some other time, hopefully.

Though I’ve been to other conventions before, this was the first where I was a participant — in Niall’s panel on the conlcusion to the BSFA survey, along with Claire, John, and Caroline. Naturally, I was nervous to begin with, but in the end I rather enjoyed it, and now like the idea of doing another one. I’m not going to attempt to summarise what we discussed; Niall intends to post a transcript in the near future — I hope you’ll find it interesting.

Other events I attended included: various panels on topics such as reviewing, anthologies, the Clarke Award (whose consensus was that The City & the City should win), grammar (the most heated of all discussions to which I went), and the definition of ‘mainstream’ (which is likely to inspire a separate blog post from me); an apple-tasting workshop (from which I conclude that, indeed, apples do not all taste the same; a gig by Mitch Benn (‘this is the closest I get to a homecoming gig’), and the BSFA awards (congratulations to all the winners, but particularly to Nick Lowe, who won for his Interzone film column — great to see that being recognised). [EDIT, 9.20pm: Somehow I omitted to mention Ben Goldacre‘s excellent talk on bad science. Consider that rectified!]

One of the things that sets conventions like Eastercon apart from other kinds of literary festival is that authors (including the Guests of Honour) are as much a part of the crowd as anyone else — which means you never quite know whom you’ll encounter, or how. I had a couple of those surprising moments: looking through the Dealers’ Room, I came to the TTA Press stall, where I saw a copy of Marcher by Chris Beckett. I very much enjoyed his story collection The Turing Test last year, so I decided to buy the novel — and did a double-take when I realised that the person currently staffing the stall was Beckett himself.

But my biggest surprise of the convention came when I went to the launch of Jetse de Vries’ new anthology, Shine — and Alastair Reynolds (who was a Guest of Honour) walked up to me and said, ‘You’re David, you just reviewed Terminal World, didn’t you?’ I didn’t expect that to happen…

So, I returned from Eastercon having had a great weekend, with many more books than I intended (this has been the case with every sf/fantasy convention I’ve been to), and looking forward to next year’s. My thanks to everyone involved in Odyssey for all their hard work in staging the event.

Cheltenham Literature Festival Diary: Part 3

Part 1 of this diary is available here, with part 2 here.

Friday 16th

10.00 am: Today is deliberately light on events for me; but now it gets even lighter, as the mathematician Marcus du Sautoy is unfortunately now unable to attend. I was looking forward to his talk, but now I’ll have to find something else to go to instead.

6.00 pm: Last night, I pretty much abandoned the private game of ‘Guest Director bingo’ I’d been playing. And now I walk past Anthony Horowitz, today’s Guest Director; I could have had a full scorecard!

7.00 pm: Here’s the ‘something else’ I chose to attend – ‘Castaway’s Choice’, in which a panel are asked which book they’d take to a desert island (the name of a certain radio programme is apparently not allowed to be mentioned). Apparently Geoffrey Howe chose The Good Hotel Guide in a previous year, but we get three fiction choices here. Booker nominee Adam Foulds chooses Too Loud a Solitude by Bohumil Hrabal (a book I’d never heard of before, but it sounds interesting. Writer and Times Literary Editor Erica Wagner chooses Maurice Sendak’s Where the Wild Things Are. And PR agent Mark Borkowski’s choice is J.D. Salinger’s The Catcher in the Rye. I’ve never read any of those (I know, I  know…), but it’s an entertaining and interesting session all the same. (Particularly amusing is the moment when Borkowski tries to find the last page of The Catcher in the Rye on his e-book reader, so he can read a passage, only to give up in frustration and pull out his good old paper copy – there’s life in the printed word yet!).

8.45 pm: Rich Hall is interviewed, and reads from his new story collection. I was sitting at the wrong side of the theatre to get a really good view, but it didn’t matter. Hall was excellent, by turns both funny and insightful; and his book sounds like a good read, too.

Saturday 17th

3.00 pm: A late start, as another of my planned events has been cancelled, and my first choice of replacement was full. I go along first to the Highland Park marquee, where a number of Canongate authors are reading from their work – and free shots of whisky are being offered. The author at this session is a new novelist called Trevor Byrne, who reads from Ghosts and Lightning; I’m so impressed that I go to the book tent and buy a copy. [I’m reading it now, and if it finishes as well as it starts, you can expect a very positive write-up on this very blog before too long.]

5.00 pm: What can I say about the great Steve Redgrave? Perhaps simply that he’s an engaging interviewee with a fascinating story. But I have to leave before the end to make it to my next event…

6.10 pm: More comedy, as today’s Guest Director, Mark Watson, interviews Armando Iannucci. But it’s like no other interview I’ve seen at the Festival, as they open to questions from the audience at 6.15, and get through about three questions in the next 45 minutes, each answer leading into wonderful digressions. I saw Watson in stand-up this January; he was hilarious then, and he’s hilarious now. I’ve never really followed Iannucci’s work, and am not really into political satire, but he wins me over at this session. Definitely one of the two funniest and best comedy events I attended at the whole Festival [the other is my final event tomorrow].

8.45 pm: Now, for a change, an author known for writing literature – and, moreover, the only event where I’ve already read the book under discussion. Iain Banks is as animated and engaging as ever; but I do start to wonder if Transition is really the kind of novel that lends itself to an interview of this nature, as some of the discussion feels a bit dry. And one questioner from the audience casually gives away the ending of The Wasp Factory, which I do not appreciate.

Sunday 18th

10.00 am: The Guest Director for this final day of the Festival is Jonathan Coe, at whose first event my day begins. The brochure says, ‘[Coe] introduces a varied programme of his own writing, including [a short story] reworked as a performance piece for voice and piano’. Sounds interesting to me. But, when Coe takes the stage, he announces that there’s a change to the programme. What we get is one single reading (by a female actor) of extracts from one of Coe’s novels, with a live piano accompaniment. This is okay, but I can’t help feeling disappointed, as the original idea sounded better; and I’m not sure how much the ‘soundtrack’ really added. Still, it was enough to make me interested in reading one of Coe’s books.

11.30 am: Back to the Canongate tent for a reading by Mari Strachan, another début author. Again, I’m really intrigued by this, and end up buying a copy of The Earth Hums in B Flat [though I’ve yet to start reading it].

2.00 pm: Another of Jonathan Coe’s events, this time a discussion on the place for ‘serious’/’literary’ fiction at the present time. I’m interested to see who will attend this session – the audience is (sadly) quite small; most of them are older than me, though (happily) I’m not the youngest; and I can’t help but wonder how many of the audience are just here as readers, and have no connection with publishing or writing. Anyway, the panel consists of Pete Ayrton (from the publisher Serpent’s Tail), Suzi Feay (former Literary Editor of the Independent on Sunday); and James Heneage (founder of Ottakar’s). Coe suggests at the end that the debate has been largely ‘optimistic’, though I’m not sure I’d agree with him. I’m particularly struck by how much the survival of ‘serious’ fiction seems to be dependent on other factors; it’s not whether there will be a demand for that kind of fiction (there will but, as ever, it will be a minority interest), but whether the industry will be able to support it, given that the money for it will probably have to come from elsewhere.

4.00 pm: A talk by former ambassador Christopher Meyer on his history of British diplomacy. I booked this event at the last minute, on a whim, but I’m very glad I did. Meyer is a wonderful speaker, his passion and enthusiasm for his subject really shining through.

6.00 pm: My original choice of event for this slot (Steve Punt and Hugh Dennis) was fully booked, but this one is just fine instead. The joint interview with novelists Patrick Gale and Marina Lewycka is a joy, the best fiction event of the Festival for me. I’ve never read Gale at all, and only one book of Lewycka’s (A Short History of Tractors in Ukranian, which I quite enjoyed), so I’m not quite sure what to expect. But both are highly engaging (though Lewycka sounds exactly like an old French tutor of mine, which takes a little getting used to), especially when they spark off each other. Some participants in events at the Festival have been too ‘chummy’ for the good of the discussion, but here it’s an asset (I’ve no idea whether Lewycka and Gale are friends in real life, but they have that kind of natural rapport here). And my TBR pile grows larger still…

8.00 pm: Last event of the Festival – the great Barry Cryer, someone who’s been around all my life, yet I’ve never really appreciated the sheer range of his work. He’s brilliant here, with anecdotes from a lifetime in comedy, and some very funny jokes. At the very end of the session, the interviewer realises they haven’t even mentioned Cryer’s new book – but what does it matter after such a wonderful hour?

 ***

And that was my Festival. All in all, a highly enjoyable ten days. I’m glad I went, and would certainly go back. Then again, there are all those other literary festivals out there, just waiting to be explored. As ever, so many possibilities, and not enough time to choose them all…

Cheltenham Literature Festival Diary: Part 2

Part 1 of this diary is available here.

Tuesday 13th

10.00 am: My first history talk of the festival — Frank McLynn on Marcus Aurelius. I don’t know much about Roman history, so I don’t think I got the most out of it that I could have; but McLynn was interesting and engaging nonetheless.

12.00: Today’s Guest Director is Alice Roberts, and spotting her for my game of ‘Guest Director bingo’ will be easy, as I’m attending two of her events. The first of these is called ‘Journey into Colour’, with a panel consisting of Roberts, the writer Victoria Finlay (who wrote a book on colour which I actually bought several years ago, but have never got around to reading) and Mark Midownik, a materials scientist. Finlay was enthusiastic, and her talk fascinating; but I felt that Midownik was not a good speaker, and his contribution on the science of colour was rather dry. I really should read that book of Finlay’s, though.

4.00 pm: My second of Alice Roberts’s events — geneticist Stephen Oppenheimer on the story of human migration. An interesting subject but, unfortunately, the talk was a little too technical for me.

6.00 pm: Ronni Ancona and Alistair McGowan on football — specifically, on Ancona’s attempts to wean McGowan off it. The readings from their book were excellent, and the whole hour was hilarious.

8.45 pm: My last event of the day, and this time it’s a ‘proper’ author — Sarah Waters. I’ve never read her work, but do have a copy of The Little  Stranger, which I’ve been meaning to read. Interesting stuff, though I stll haven’t got around to reading the book.

Wednesday 14th

10.00 am: Matthew Rice on ‘The Language of Architecture’. I took a chance on this event, and am so glad I did. Rice was hilarious, and gave a brilliant introduction to a subject I’m not well-versed in.

2.00 pm: Sara Wheeler on the Arctic. This was a combined history and travelogue; interesting enough, but perhaps too ‘bitty’.

4.00 pm: Another hsitory talk — Jenny Uglow on Charles II. Uglow illuminated a part of history I never really studied in detail, so I was pleased to go to this.

5.15 pm: Today’s Guest Director is Monica Ali, whom I was due to see now, alongside another novelist, Geoff Dyer. Unfortunately, however, Ali is unable to attend owing to illness, so this event is Dyer on his own. I’d never heard of him prior to this, but he was a highly entertaining interviewee, and reader and he joins my list of ‘writers I must investigate’.

8.45 pm: I was due to see Keith Floyd at this point, but of course he sadly passed away last month. I raise a glass in his honour.

Thursday 15th

10.00 am: Today starts with my best history talk of the Festival — David Horspool on English rebellions throughout history. He’s a great speaker and storyteller, and shows the value of taking a broad historical view of one topic.

4.00 pm: From history to historical fiction, with Tracy Chevalier and Hilary Mantel. I’ve already seen the latter in my first event, of course, and she’s engaging once again. I’m very intrigued by the sound of Chevalier’s latest novel, about the early 19th century paleontologist Mary Anning. The TBR pile grows ever larger…

7.0o pm: Travel writer Christopher Somerville on his new book of walks around Britain. Fascinating stuff, as Somerville covers areas that don’t necessarily come to mind as fruitful areas for walks, such as Canvey Island and the circular walking routes around London. He also relates tales of a walk across Crete in the winter for his 50th birthday, and walking to the very northernmost point of the British Isles for his 60th. Somerville becomes another writer I should read.

8.45 pm: A performance of Arthur Conan Doyle’s The Lost World by the Paper Cinema and Kieron Maguire. How to describe this? They film cut-out paper puppets and project the results on to a screen, while Maguire provides a live soundtrack. It was good, but I think I’d have enjoyed it more if I knew the story better.

9.30 pm: I still haven’t spotted today’s Guest Director, Rageh Omaar. I know he is in the middle of a talk now, and I could hang around the signing tent for half an hour until he comes in — but I’m not really that bothered, am I? I decide that I’m not, and head off back to the hotel instead.

Part 3 of the diary coming soon…

Cheltenham Literature Festival Diary: Part 1

For the past week-and-a-bit, I’ve been at the Cheltenham Literature Festival, my first time going to such an event. I wasn’t quite sure what to expect, and the rather tight separation between writers and audience (no real opportunities for interaction apart from Q&As at the end of each session, and signings afterwards) was a little disconcerting at first (I guess that’s the only practical way to run things with so many events and speakers). The Festival was quite celebrity-led (then again, isn’t contemporary publishing the same?); but, generally speaking, they were interesting celebrities, and there was plenty of other stuff going on. All in all, I had a good time, and went to a nicely varied programme of events.

I never had internet access while I was away, otherwise I’d have blogged about the Festival in more detail while I was there. Instead, I present the edited highlights, which are pretty long as it is…

Friday 9th

6.00 pm: My first event, listed in the festival brochure as ‘The Man Booker Winner’, who of course in the end was Hilary Mantel.

I haven’t traditionally had much luck with Booker titles (of all the nominees, and one winner, that I’ve read, I can only truly say that I liked Animal’s People by Indra Sinha), but I certainly became interested in reading Wolf Hall after hearing Mantel read from it, and speak so enthusiastically.

7.30 pm: Leaving the Town Hall, I realise that I’ve just passed a fellow Huddersfielder, the poet Simon Armitage. He is today’s Guest Director (there’s one for each day of the Festival, who has programmed three events for that particular day).

Saturday 10th

11.30 am: I have the morning free, so I’ve been to look around town. As I’m going into the Town Hall, I think back to seeing Simon Armitage last night, and wonder if I could play a little game of ‘Guest Director bingo’, just to see how many of them I could spot over the ten days. At the precise moment I think this (and I swear I’m not making this up), I reliase that today’s Guest Director, Richard Eyre, has just walked past me. That makes up my mind: the challenge is on!

1.30 pm: Off to the Centaur pavilion (what a great pun) at the racecourse to see Michael Palin. He talks about his career in the 1980s, the period covered by the new volume of his diaries. Much as I like Palin’s work (he’s one of the few writers I’ll be seeing who I’ve actually read), I’m more familiar with his travel programmes than this part of his career, so it’s interesting to hear his behind-the-scenes tales of (mostly) the films he made at that time.

4.00 pm: Marcus Chown, the New Scientist‘s cosmology consultant, talks about his latest book, which (says the brochure) ‘looks at what the everyday world tells us about the universe’. The discussion about science is interesting, but I don’t gain much sense of what the book is actually like.

6.30 pm: Readings and discussion from the novelists Diana Evans and Patrick Neate. The latter, I would say, is the better reader; but both books sound interesting, and so my ‘would like to read’ list grows a little longer.

8.45 pm: Quite interesting stuff from John Lloyd and John Mitchinson, the creators of QI. They can’t talk about their new book, because it’s not finished yet; nevertheless, their enthusiasm is infectious.

Sunday 11th

10.00 am: Am I cheating in my game of Guest Director bingo if the only time I see them is when I know I’m going to? Well, it’s my game, with my rules, so I decide that the answer is no. So, here is today’s Guest Director, Sandi Toksvig, interviewing the novelist Kate Mosse. Actually, it’s less of an interview than a chat between friends — and less informative (to me, as someone who has never read Mosse but thought about it) as a result.

12.00 pm: The first of several occasons when I miss out on an event to which I wanted to go. There were no tickets left for Harry Hill; disappointing, but never mind.

4.00 pm: Back to the vast (and full) auditorium of the Centaur, where Mark Lawson is interviewing Mitchell and Webb. I’ve never really watched them, but find them quite funny here; and the talk of how they work as a double act is interesting.

7.30: Time for something different — two hours of dynamic storytelling by the excellent Ben Haggarty. He weaves a wonderful tale that begins with his visting a freak show at a carnival in America, and ends on the moon, where he discovers the truth about his profession. I don’t know how often Haggarty tours, but if he comes anywhere near you, go and see him.

Monday 12th

10.00: A talk by David Elder about an anthology he has put together of writing about Cheltenham. This was one of the events I was less sure about, didn’t know quite what to expect, and ultimately I found it a bit dry. To be fair, I would probably have got more out of it if I were a Cheltonian.

Lunchtime: I’ve been wandering around, trying to find somwhere nice to have lunch, and end up going from one side of town to the other. It’s good for my game of Guest Director bingo, because at one point I pass a group of people which includes today’s Guest Director, Chimamanda Ngozi Adichie.

4.00 pm: A conversation between P.D. James and Ruth Rendell. As with the Toksvig/Mosse event yesterday, these two are good friends; and, though the talk is interesting enough, I once again feel that the writers’ fans will have got more out of it than I did.

8.45 pm: I did want to see Hugh Fearnley-Whittingstall now, but the event had sold out. Instead, I’m at the interview of another Channel 4 presenter, Kevin McCloud, who is talking about European architecture and the idea of the ‘Grand Tour’. He’s a marvellously entertaining speaker, even breaking into spontaneous impersonations of Brian Sewell and Prince Charles. I’m not particularly into architecture, but McCloud makes the subject interesting; and he’s not the only person who will do so this week — but that can wait for another instalment…

Eastercon

I went along to Bradford for my first Eastercon (British National Science Fiction Convention) at the weekend — just for a couple of days, to see what it was like. I enjoyed myself, but not as much as I’d hoped to; I think that came down to feeling more like a ‘visitor’, so I’ve booked for the full weekend next year. This post will give some general impressions I had of the con.

First, there was a lot going on, much more than at Fantasycon or Alt-Fiction (the conventions I usually attend) — something like nine or ten different rooms in use (not all at the same time, but still), plus media programme, games room and art show. I was very impressed at the range of events on offer, which included film shows (in addition to the media room), music performances, talks on science and history, and even items that had nothing much to do with science fiction (oh, to have been there for the ‘science of chocolate’ session!).

I was surprised by the size of the venue. For all its many streams of programming, and its much larger number of delegates (I believe that Eastercon typically averages about 800-1000 attendees, compared to Fantasycon’s 200), the physical space of the convention could not have been much larger than that of Fantasycon (and I’m sure the social areas were smaller). The dealers’ room was also much smaller than I had expected. Having said all this, I don’t if it was typical of Eastercon, or whether it was just the size of that particular hotel.

As for the events I attended — I saw John Clute ‘in action’ on a panel for the first time (he was every bit as erudite as I thought he’d be). There was a talk on the Clarke Award shortlist, which I’m sure I would have got more out of if I’d read all the books. And quite an interesting panel on ‘old versus new SF’, in which the two ‘teams’ of participants recommended three books of ‘old’ or ‘new’ SF to each other. I hadn’t read any of the six books under discussion (More than Human, The Man in the High Castle, Stand on Zanzibar, Revelation Space, River of Gods, and The Yiddish Policemen’s Union); but I found it striking that the ‘new’ books were all by reasonably well-established authors (respectively Alastair Reynolds, Ian McDonald, and Michael Chabon), and I wondered which ‘new’ writers the panel would have recommended. Alas, there was no time for such questions, and it’s a whole different discussion anyway.

Highlight of the two days: well, it has to be discovering one of my reviews quoted in publicity material, but that doesn’t have anything to do with Eastercon, so…

Best panel: not about SF, but a talk on urban exploring, and seeing fascinating photos of the old American Adventure theme park, and other abandoned buildings. It’s amazing what abandoned places are out there — though I’ll happily leave the exploration of them to others!

Most interesting fact: I never knew that Tiffany was a name that goes back hundreds of years. But, to paraphrase the contributor (I forget who it was), ‘Princess Tiffany’ would just not sound right in a serious fantasy novel nowadays.

Favourite coincidence: there was a depot opposite the hotel belonging to a company called ‘T H White’. I don’t think they were guarding Arthur, but you never know…

Anyway, that’s my little report on Eastercon LX, and I look forward to experiencing the full weekend next year.

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