The protagonist of Claire Carroll’s story ‘Paddling Pool’ doesn’t really need to buy a paddling pool. But there’s nothing stopping that person from doing so – besides, it’s hot, and there’s the gentle voice of the narrator reassuring the protagonist that their choices are fine in the moment, even if the long-term consequences might be severe:

You might, years later, starving, dragging yourself along the beach in the unbearable heat, you might discover a fish, partially dried out on the orange sand. Peeling away at its skin, you might find microscopic parts of your paddling pool inside. But there’s no way you’ll ever be able to tell if it’s the same one, so don’t worry about that now.

That quotation was a powerful moment for me among a set of striking tales in The Unreliable Nature Writer (which is the first single-author collection from Scratch Books). Broadly, Carroll’s main theme is the relationship between humanity and nature, examined from a variety of angles. 

Some of the stories give form to a (perceived) distance between the human world and the natural, and look at what may fill the gap. For example, the narrator of ‘There Or Not There’ works on an advertising installation that places indoor objects among a patch of real woodland. Their work is supposed to be environmentally friendly, but it might have killed some nesting birds. The narrator’s doubts and self-reassurances give this piece its sharp edge. 

‘Re: Wreck Event’ creates uncertainty by giving two different versions of what happened on the day a couple split up. One partner writes an account which the other one annotates with footnotes, undermining most of the key details. The dead and dying birds on the ground that day become just another piece of this contested reality.

Carroll also ventures into the future (or sideways in reality) in some of her stories. ‘Dream Reading: On Higher Ground’ depicts extreme bureaucracy as housing applicants are chosen according to how well they describe their dreams – but also a raw euphoria at being in touch with nature. ‘The Sheer Delight of What You May Become’ juxtaposes a formal process for land to be acquired and returned to nature with the reality of what happens to the people displaced from that land. The interests of humans and nature are held in tension – which is what so often animates Carroll’s stories.